Norwegian 1863-1944 Edvard Munch Locations Edvard Munch (pronounced , December 12, 1863 ?C January 23, 1944) was a Norwegian Symbolist painter, printmaker, and an important forerunner of expressionistic art. His best-known composition, The Scream is one of the pieces in a series titled The Frieze of Life, in which Munch explored the themes of life, love, fear, death, and melancholy. Edvard Munch was born in a rustic farmhouse in the village of Adalsbruk in Loten, Norway to Christian Munch, the son of a prominent priest. Christian was a doctor and medical officer, who married Laura Cathrine Bjølstad, a woman half his age, in 1861. Edvard had an older sister, Johanne Sophie (born 1862), and three younger siblings: Peter Andreas (born 1865), Laura Cathrine (born 1867), and Inger Marie (born 1868). Both Sophie and Edvard appear to have gotten their art talent from their mother. Edvard Munch was related to painter Jacob Munch (1776?C1839) and historian Peter Andreas Munch (1810?C1863). The family moved to Kristiania (now Oslo) in 1864 when Christian Munch was appointed medical officer at Akershus Fortress. Edvard??s mother died of tuberculosis in 1868, as did Munch's favorite sister Johanne Sophie in 1877. After their mother's death, the Munch siblings were raised by their father and by their aunt Karen. Often ill for much of the winters and kept out of school, Edvard would draw to keep himself occupied. He also received tutoring from his school mates and his aunt. Christian Munch also instructed his son in history and literature, and entertained the children with vivid ghost stories and tales of Edgar Allan Poe. Christian??s positive behavior toward his children, however, was overshadowed by his morbid pietism. Munch wrote, ??My father was temperamentally nervous and obsessively religious??to the point of psychoneurosis. From him I inherited the seeds of madness. The angles of fear, sorrow, and death stood by my side since the day I was born.?? Christian reprimanded his children by telling them that their mother was looking down from heaven and grieving over their misbehavior. The oppressive religious milieu, plus Edvard??s poor health and the vivid ghost stories, helped inspire macabre visions and nightmares in Edvard, who felt death constantly advancing on him. One of Munch's younger sisters was diagnosed with mental illness at an early age. Of the five siblings only Andreas married, but he died a few months after the wedding. Munch would later write, "I inherited two of mankind's most frightful enemies??the heritage of consumption and insanity." Christian Munch??s military pay was very low, and his attempts at developing a private side practice failed, keeping his family in perrenial poverty. They moved frequently from one sordid flat to another. Munch??s early drawings and watercolors depicted these interiors, and the individual objects such as medicine bottles and drawing implements, plus some landscapes. By his teens, art dominated Munch??s interests. At thirteen, Munch has his first exposure to other artists at the newly formed Art Association, were he admired the work of the Norwegian landscape school, and where he returned to copy the paintings, and soon he began to paint in oils.  Related Paintings of Edvard Munch :. | Spring Evening on Karl Johan Street | Girls on a Bridge (mk09) | Street | skriet | The Children is ill |
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Ernest Fries
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Leon Lhermitte
1844-1925 was a French painter and etcher of the late nineteenth century. A student of Lecocq de Boisbourdran, he was a realist artist whose primary subject matter was of rural scenes depicting the peasant worker. He gained recognition after his show in the Paris Salon in 1864. His many awards include the French Legion of Honour (1884) and the Grand Prize at the Exposition Universelle in 1889. Lhermittees innovative use of the then contemporary media of pastels won him the admiration of his contemporaries. Vincent Van Gogh wrote that. If every month Le Monde Illustre published one of his compositions.
AST, Balthasar van der
Dutch Baroque Era Painter, ca.1593-1656 1657). Dutch painter. He was the brother-in-law of Ambrosius Bosschaert (i), whose household he entered in 1609, after the death of his father. He remained as Bosschaert's pupil, until he was 21. In 1615 van der Ast moved with the Bosschaert family to Bergen-op-Zoom. However, a year later the Bosschaerts were living in Utrecht, but van der Ast is not recorded there until 1619, when he was entered as a master in the Guild of St Luke. He remained in Utrecht until 1632, then lived in Delft, where he enrolled in the painters' guild on 22 June 1632. On 26 February 1633 he married Margrieta Jans van Bueren in Delft, where he spent the rest of his career; the marriage produced two children.